2025

醍醐寺

Daigoji

バイエルン国立バレエ団プリンシパル。K-BALLET TOKYO『ジゼル』『シンデレラ』などへの出演を通じて、日本でも熱狂的な支持を集めている。モンタナ州出身。11歳でモスクワのボリショイ・バレエ・アカデミーに入学し、アメリカ人として初めて正規ディプロマを取得。17歳で『白鳥の湖』ジークフリート役にてプロデビューを果たす。
ロイヤル・バレエ団、ミハイロフスキー劇場、サンフランシスコ・バレエを経て、国際的な評価を確立。舞台芸術にとどまらず、弟ニコラスとともにマッケイ・プロダクションズを設立し、映像制作や国際公演を通じてクラシックバレエの可能性を拡張している。
カルティエおよびドン・ペリニヨンより「フレンド・オブ・ザ・メゾン」に選出され、芸術、ファッション、メディアの領域を横断する現代バレエ界のアイコン的存在として活躍。昨年の「OTOBUTAI HORYUJI」に続き、2年連続の出演となる。

Julian MacKay, a principal dancer with the Bavarian State Ballet, has also garnered a devoted following in Japan through his performances in K-BALLET TOKYO productions such as Giselle and Cinderella. Originally from Montana, he entered the Bolshoi Ballet Academy at age 11 and became the first American to graduate with a full Russian diploma. At 17, he made his professional debut as Prince Siegfried in Swan Lake.
He has since danced with major companies including The Royal Ballet, the Mikhailovsky Theatre, and the San Francisco Ballet, earning international acclaim for his artistry.
A trailblazer both on and off the stage, he co-founded MacKay Productions with his brother Nicholas, producing international performances and films that bridge classical ballet with global audiences. Named a Friend of the Maison by both Cartier and Dom Pérignon, he is recognized not only as a leading ballet dancer but also as a cultural ambassador and global influencer, redefining the role of the modern ballet artist.
This marks his second consecutive appearance, following last year's performance at Horyuji OTOBUTAI.

幼少の頃より様々な楽器に親しみ、クラシックギター、アコースティックギター、エレキギターを体系的に学ぶ。やがてフラメンコギターに魅了されフラメンコギターを岡弘祠、伊藤日出夫、セラニート氏に師事。スペインと日本を往復しながら本格的に研鑽を積む。
1997年日本フラメンコ協会新人公演にて奨励賞受賞。2006年メジャーデビュー。2010年、スペインのフラメンコギターコンクール国際部門で日本人初の優勝。その様子を密着取材したTBS系「情熱大陸」に出演。以降フラメンコギターの教則本を出版、EXILEへのシングル曲提供など多方面で活躍。
ステージ活動は、ソロ演奏に加え、世界の各ジャンルのトップアーティストとのコラボやオーケストラ、バレエ、長唄、能との共演など多岐に渡る。枠を超えたフラメンコギターの価値創造に全力を注ぐ。日本フラメンコ協会理事。

Jin Oki studied flamenco guitar under masters Hiroshi Oka, Hideo Ito, and Serranito. Early in his career, he received the Encouragement Prize at the Japan Flamenco Association’s Newcomer Performance.
He made his major debut in 2006. In 2010, he became the first Japanese guitarist to win the international division of a flamenco guitar competition in Spain, earning acclaim for his artistry on the global stage. In addition to his solo performances, he has collaborated with artists across a wide range of genres, including orchestras, ballet, traditional Japanese music such as Nagauta and Noh, and pop acts like EXILE. He has also composed music for television commercials and authored instructional books on flamenco guitar.
Known for pushing the boundaries of flamenco, Oki blends tradition with innovation, expanding the expressive possibilities of the instrument. His work reflects a deep commitment to creating new artistic value for flamenco guitar in contemporary music and culture.
He currently serves on the board of the Japan Flamenco Association and continues to champion the richness of flamenco both in Japan and around the world.

ドイツ生まれの韓国人チェリスト。パーセル音楽院やクロンベルク・アカデミーで学び、ブラームス国際やペンデレツキ国際などのコンクールで優勝。2022年にはエリザベート国際王妃コンクールでも優勝した。フェンディ音楽賞の第1回受賞者。
これまでブリュッセル・フィル、ベルギー国立管、クレメラータ・バルティカ、ベルリン・ドイツ響、ロサンゼルス・フィル、KBS響、ソウル・フィルなどと共演、アムステルダム・チェロ・ビエンナーレ、クロンベルク・チェロ・フェスティバル、シティ・オブ・ロンドン・フェスティバル、パブロ・カザルス音楽祭など著名な音楽祭に招かれている。
クロンベルク・アカデミーでF.ヘルメルソン、その後W.E.シュミットの各氏に師事。
使用楽器はシュタルケルが使っていた1707年製ヨーゼフ・フィリウス・アンドレア・グァルネリウス。

South Korean cellist Hayoung Choi, born in Bielefeld, is the First Prize winner of the 2022 Queen Elisabeth Competition for Cello. She also won top prizes at the Krzysztof Penderecki and Johannes Brahms International Competitions, and received the “Landgrave of Hesse Prize” and “Leyda Ungerer Music Prize” at the Kronberg Cello Masterclasses. Recently, she became the inaugural recipient of the FENDI Music Award.
Highlights include performances with the Brussels Philharmonic, Belgian National Orchestra, KBS Symphony, Boston Philharmonic, and others. In the 2023/24 season, she debuts with the LA Philharmonic, Deutsches Symphonie-Orchester, Seoul Philharmonic, and Filarmônica de Minas Gerais.
She made her solo debut at age twelve with Camerata Salzburg performing Haydn’s Cello Concerto No. 1, and has since played with Kremerata Baltica, the Frankfurt Opera and Museum Orchestra, and Barcelona Chamber Orchestra.
Choi has been invited to major festivals including the Amsterdam Cello Biennale, Kronberg Cello Festival, and Prades Pablo Casals Festival. She studied at the Purcell School and earned her Bachelor’s, Master’s, and Professional Studies diplomas at Kronberg Academy under Prof. Frans Helmerson and Prof. Wolfgang Emanuel Schmidt.
She performs on a 1707 ex-Starker Joseph filius Andrea Guarnerius cello, generously on loan from an anonymous donor.

京都大学教育学部卒業。静けさの中の強さを軸にピアノを中心とした室内楽やフィールドレコーディング、電子音を用いた音響作品を制作する。アルバム『PASSION』(2020)、『ALL PEOPLE IS NICE』(2021)をリリース。アーティストグループ「ダムタイプ」へ参加。野田秀樹作・演出の舞台『正三角関係』その他、ダミアン・ジャレ、名和晃平、森山未來、田中泯などの舞台作品、東京2020オリンピック開会式追悼パート(森山未來出演)、映画『国宝』『流浪の月』(監督:李相日)、『夏の砂の上』(監督:玉田真也)、『ロストケア』(監督:前田哲)、NHKドラマ『幸運なひと』『デフ・ヴォイス 法廷の手話通訳士』、NHK『日曜美術館』新テーマソング（坂本美雨と共作）など、多岐にわたって音楽を手がけている。

Marihiko Hara is a Kyoto-based composer and sound artist whose work explores the subtle boundaries between sound, silence, memory, and space. His compositions blend field recordings, acoustic instruments, and electronics into quiet, immersive soundscapes.
Largely self-taught, he began composing while studying lifelong education at Kyoto University. His music spans film, dance, theatre, and installation—evoking the passage of time and the resonance of absence. Recent film scores include *Kokuho* (dir. Sang-il Lee), selected for Cannes Directors’ Fortnight 2025, and *Deaf Voice* (dir. Kazutaka Watanabe), nominated for the International Emmy Award 2024. He has collaborated with Ryuichi Sakamoto, Damien Jalet, Kohei Nawa, Min Tanaka, NODA MAP, and the Korea National Contemporary Dance Company. He is also a member of the artist collective Dumb Type, and has released solo and collaborative works internationally. His installations and site-specific compositions have been presented in museums and public spaces, exploring how sound shapes perception. Hara also leads a peace-driven sound project, creating new works from recordings shared by individuals affected by displacement and violence.
His music has been featured worldwide in films, exhibitions, and performances. He welcomes commissions and interdisciplinary collaborations.

グランドフィルハーモニックは2018年、国内外で活躍する現役トップレベルの演奏家や新進気鋭の若手が集結し東京で活動を開始。
井ノ原快彦、大貫妙子、清春、小林幸子、坂本龍一、島津亜矢、湘南乃風、杉山清貴、谷村新司、一青窈の各氏をはじめする日本を代表するトップアーティストと共演するなど、クラシックのみならず、ジャンルの枠を越えた多様な活動を展開。他に類を見ない次世代型オーケストラとして多方面より期待されている。
エグゼクティブプロデューサーに作曲家・千住明氏が就任。
今回は関西拠点楽団“グランドフィルハーモニック京都”が中心となり特設オーケストラとして登場する。

Established in 2018, the Grand Philharmonic brings together some of Japan’s top musicians and up-and-coming young talent performing in Tokyo, with composer Akira Senju serving as Executive Producer.
The orchestra has established itself as a pioneer of a new ensemble, transcending the classical music realm by performing a wide range of musical genres.
Their collaborations with top Japanese artists have included, but are not limited to, Yo Hitoto, Yoshihiko Inohara, Kiyoharu, Taeko Onuki, Ryuichi Sakamoto, Aya Shimazu, Shonan no Kaze, Kiyotaka Sugiyama, and Shinji Tanimura.
In addition to their collaborations with singers, the Grand Philharmonic’s versatility extends to recording for video games such as SQUARE ENIX’s Triangle Strategy and Pokémon’s Pokémon UNITE, as well as TV shows like Netflix’s Rilakkuma and Kaoru.
For this concert, the Kansai-based Grand Philharmonic Kyoto will make a special appearance.